In origine, fu la passione del fondatore, che era anche un collezionista, a dare impulso all’acquisto di opere da parte di Eni. Poi, col passare dei decenni, la nostra collezione di arte si è arricchita e strutturata seguendo un disegno sempre più preciso.
“Il Giorno”, il quotidiano milanese di cui Enrico Mattei è editore, organizza il 10 maggio 1958 alla Permanente di Milano la mostra “Giovani artisti italiani” che lascerà una forte traccia negli anni seguenti. Partecipano artisti di ogni tendenza: tra questi, Roberto Crippa, Giovanni Dova, Gianni Bertini, i sodali del gruppo Forma 1, Piero Dorazio, Carla Accardi, Pietro Consagra, Giò e Arnaldo Pomodoro.
Dopo la morte di Mattei, avvenuta nel 1962, si attenua l’interesse della Società alle acquisizioni artistiche, ma le acquisizioni riprendono in maniera continuativa a partire dalla metà degli anni Settanta. Sul finire degli anni Ottanta, i vertici di Eni inaugurano una fase di “mecenatismo avanzato”. Il progetto “Finesecolo” del 1991 prevede che per dieci anni Eni, Agip e Snam acquisiscano un certo numero di opere realizzate da artisti italiani nel corso dell’anno. È in questo contesto che il nostro patrimonio artistico si arricchisce di opere di grande rilievo, come “Tavola e città” di Valerio Adami, “Aeroplani”di Alighiero Boetti, “Senza Titolo” di Stefano Arienti e opere firmate da Mimmo Rotella e Salvatore Scarpitta. Negli ultimi anni del secolo agli acquisti di italiani si affiancano quelli di pittori e scultori stranieri, in particolare provenienti dai Paesi in cui Eni opera.
La direttrice del Palazzo dei Diamanti di Ferrara, Maria Luisa Pacelli
Le opere d’arte raccolte nel tempo da Eni sono un patrimonio vivo, che continua a circolare nei musei d’Italia e del mondo. Così, le opere di Giorgio Morandi sono state ospitate in Russia, a New York, in Brasile, mentre il “Ritratto di signora” di Felice Casorati è stato a Madrid. La “Composizione sacra” di Mario Sironi è stata esposta a Roma e il “Pugile” di Francesco Messina è stato chiesto in prestito dal Museo San Domenico di Forlì nel 2013. Ancora, i quadri di Renato Guttuso “Paesaggio predesertico” e “Busto di donna” sono stati esibiti rispettivamente all’Estorick Collection of Modern Art di Londra nel 2015 e al Vittoriano.
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