A large central hall, several small side rooms and a large outdoor space.
Eni Congo opens the Musée du Cercle Africain
Claudio Descalzi visited the museum, which is located in an elegant building on the edge of the Grand Marché, a meeting point for Pointe Noire's middle classes.
Eni Congo opens the Musée du Cercle Africain
Claudio Descalzi visited the museum, which is located in an elegant building on the edge of the Grand Marché, a meeting point for Pointe Noire's middle classes.
Eni Congo opens the Musée du Cercle Africain
Claudio Descalzi visited the museum, which is located in an elegant building on the edge of the Grand Marché, a meeting point for Pointe Noire's middle classes.
Eni Congo opens the Musée du Cercle Africain
A second hall displays photos of Pointe-Noire's history, the construction of the Congo-Ocean railway and the development of the oil sector.
Eni Congo opens the Musée du Cercle Africain
The permanent collection of masks, statues and Congo ritual objects (the Luca Cosentino collection).
Eni Congo opens the Musée du Cercle Africain
The permanent collection of masks, statues and Congo ritual objects (the Luca Cosentino collection).
Eni Congo opens the Musée du Cercle Africain
Eni Congo commissioned the museum to promote and enhance the reputation of African art and culture.
Eni Congo opens the Musée du Cercle Africain
Some visitors looking at the exhibits.
Eni Congo opens the Musée du Cercle Africain
18th of December, Pointe-Noire, Hinda District, Republic of the Congo. School visit to the Musée Cercle Africain.
Eni Congo opens the Musée du Cercle Africain
A large portico houses a permanent exhibition of contemporary Congolese painting and some temporary exhibitions.
Eni Congo entirely renovated a large central hall, several small side rooms and a large outdoor space, to house the Luca Cosentino collection, a permanent exhibition of masks, statues and objects from rituals, all from the Congo, alongside more recently acquired work. A second hall displays photos showing the history of Pointe-Noire, the construction of the Congo-Ocean railway and the development of the oil sector. Finally, a large portico holds a permanent exhibition of contemporary Congolese painting and some temporary exhibitions. The museum has been patronised by UNESCO, which recognises the importance of the initiative.
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